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Sabine Ott

Fragile

With contributions by:

Barbara Holub, Bariaa Mourad, Wolf D. Prix, Ursula Maria Probst, Hannes Stiefel, Daniel Wisser

 

The book presentation with the limited artist edition and related artworks took place at:

The University of Applied Arts on Thursday, April 28, 2016 in the Atrium / Penthouse at 19:ooh.

/.../ Mankind should modify their butts in order to be able to create new chairs. I have a design problem. The arbitrariness of the form is too much for me. I love the reduction; I like to have only a little. What I do not need is the most fun because I can renounce it. In my design projects, I'm interested in, (and gain pleasure in dealing with), the existing. This also relates to the materiality. In my design work, I achieve my projects with amazingly little /.../

Sabine Ott

Vienna, Barcelona:  Triton, 2015     ISBN 978-84-943401-0-9

Custom edition: € 29,30 + shipping.

Artist Edition: infos available upon request.

 

In Between Space

Eva Petrič. IN-between-SPACE

The musical experience (on CD-Booklet) -  of the audio-visual-installation IN-between-SPACE at the Museum of Modern Art, Klagenfurt - Austria.

 

 

Collective Heart & Love, Belief, Hope - are extensions of the audio-visual installation and currently shown in the nave of Vienna's Stephansdom (May 3, 2016 - Sep. 11, 2016).

Reviews: ORF-TV   |   Wiener Zeitung

In the Burgkapelle, Eva Petrič stages a multimedial work based on an ESA photograph of the space telescope "Hubble", depicting newly emerged stars and star constellations. Petrič replicates this specific stellar formation, by sewing countless little doilies together into large textile shapes and stretching them across the chapel like a backdrop. Additionally, there is a soundscape with NASA recordings of sounds from outer space, the artist's singing and music by her and Matija Strniša, together with photographic projections which transform the room into an interactive, evocative structure. The chapel as a spiritual setting oversteps the boundaries of its former purpose. The existential questions, so pressing in the spiritual context are raised in an extended discourse, outside the religious framework, which combines the big bang theory and the theological myth of Creation /.../

Nella Burgkapelle Eva Petrič installa un lavoro multimediale, basato su una foto dell’ESA proveniente dal telescopio spaziale „Hubble“ e rappresentante nuove stelle e costellazioni. L’artista riproduce questa particolare formazione astrale, cucendo insieme innumerevoli centrini di pizzo e dando vita a grandi elementi di stoffa con forma propria, che vengono poi appesi a creare uno scenario. A ciò si aggiungono lo sfondo sonoro, con registrazioni di rumori spaziali della NASA, il canto dell’artista e la musica suonata da lei e da Matija Strniša nonché proiezioni fotografiche, che trasformano lo spazio della cappella in un atmosferico tessuto interattivo ed evocativo. L’ambiente, pregno d’immaginario spirituale, fuoriesce così dagli argini limitanti della sua precedente destinazione. I quesiti esistenziali di fondo, percepiti come ag- gressione all’interno del contesto spirituale, vengono posti in un discorso ampliato, al di là della cornice religiosa, in cui la teoria del big bang ed il mito teologico della creazione riescono a fondersi /.../

Reviews:     ORF-TV   |   Delo   |   Novice

Barcelona [etc.] : Triton, 2014     ISBN 978-84-938482-2-4

Published in partnership with the Museum of Modern Art, Klagenfurt, Austria (MMKK)

Custom edition:  € 25,00 + shipping.

Artist Edition: infos on n° + sales available upon request.

 

 

Andres Ramirez Gaviria

A Line, However Short, Has An Infinite Number Of Points

With contributions by:

Quinn DuPont, Laura A. L. Wellen (University of Texas)

 

 

Published simultaneously with the exhibition at the:

Museo de Arte Moderno, Santo Domingo

Barcelona:  Triton, 2016     ISBN 978-84-943401-1-6

Custom edition: € 35,00 + shipping.

 

EPITA_DODECAEDER_TRACTED.jpg

Renate Quehenberger (ed.)

QUANTUM CINEMA - A Digital Vision

With a foreword by Peter Weibel

This publication reports the results of the art research project Quantum Cinema - a digital vision, funded by the Austrian Science Fund (FWF) and the PEEK research program, hosted by the University of Applied Arts, Vienna, 2010-2013.
Quantum Cinema (QC) denotes artistic research by means of digital art combined with scientific expertise following the claim for a coherent picture of the quantum world. A new digital 3D animated geometry based on the Penrose Pattern as a 2D cross-section of 5-dimensional space was developed  for the visualisation of hitherto abstract higher dimensional mathematical concepts describing quantum phenomena.
The book shows the artistically processed infinite dimensional space built from iterating elements of the 5-dimensional space: It exhibits the boundary shape of the dodecahedron embedded with kaleidoscopic symmetries of Henri Poincaré's homology sphere which echoes Plato‘s world of ideas.

Quantum Cinema tries to reunite art and science through a coherent picture of the Quantum World, approaching it by geometric means as an item of art – notably digital new-media art. Via the advantage of digital 3D animation, the partly "imaginary world" of complex number systems - by means of space-animation - becomes virtually “real” and thus, visually accessible, while the realms of time, light, and higher dimensional spaces, habited by supposed particles, become mentally accessible. Media theory investigates through this variantological approach the relations between imagination and media technology.

Barcelona / Vienna [etc.] : Triton

 

 

Tanya_Traboulsi_web

Tanya Traboulsi

Lost Strange Things: On not finding home

With contributions by: Rayya Badran, Bariaa Mourad, Najla Said

 

ISBN 978-84-943401-8-5 (Triton Barcelona) ISBN 3-85486-229-6 (Triton Viena)

Barcelona / Beirut [etc.] : Triton, 2014

 

The book presentation for Lebanon took place at Art Factum Gallery Beirut in March 2015, and for Austria at: Kunsthaus Wien with a discussion between the editor, artist and the curator of Kunsthaus Vienna.

 

In The Cost for Love We Are Not Willing to Pay, the artist, writer and poet Etel Adnan relates her relationship with the many places she settled in.

She relocated to California from Beirut, and in this exile she wrote: “during the first years there, I carried within me a feeling of a deep uprootedness”.

(Also) Tanya Traboulsi’s photographs draw links between her two homes. /.../   (she) remains at a remove from her objects of affection. The characters portrayed in the artist’s portraits evoke an ambivalence in their postures, their gaze elusively facing outward. They stand and sit awkwardly as if to translate the juxtapositional nature of the portraits. We see the uprootedness evoked by Adnan in the stiffness of the postures /.../

Rayya Badran

/.../ In her photographs, Tanya Traboulsi addresses that particular reflection based on her own intercultural history between Lebanon and Austria. Interculturalism, which featured both in historically monarchist Austria and still today in Lebanon, where various ethical realities claim the same region being at the same time a nation of emigrants, is negotiated in both countries in different ways. /.../

Bariaa Mourad

In collaboration with Art Factum Gallery, Beirut, Lebanon

Reviews:     L'Orient Le Jour   |  The Daily Star  |  L'Oeil de la Photographie  |

 

Custom edition: € 39,00 + shipping.

Artist Edition: infos available upon request.

 

 

Eva Petric . TransapParent

Lucien Clergue & Bariaa Mourad (eds.)

 

A photographic journey. An artist's-book with contributions by: Lucien Clergue, Martina Corgnati, Bariaa Mourad,  Michael Pilz, Boris Podrecca, Peter Weiermair

 

Published in partnership with Künstlerhaus Vienna

ISBN 978-84-938482-8-6 (Triton Barcelona)  ISBN 3-85486-215-6 (Triton Viena)

Barcelona [etc.] : Triton, 2013

 

Book - Presentation and Exhibition at:

The Künstlerhaus Vienna, April 10, 2014 / 7 pm

Speeches: Boris Podrecca & Bariaa Mourad

 

The light catches the figure, the figure catches my eyes, my eyes catch it's Shadow, and the Shadow sneaks into my camera only to explode in the dark room.

"The Shadow becomes the figure and the figure becomes the Shadow of the Shadow. The Shadow of the Shadow catches my eyes, my eyes catch the light, and the light catches the figure in motion, leaving behind a trail of Shadows /.../"

 

Custom edition:  € 35,00 + shipping.

Artist Edition: infos on n° + sales  available upon request.

 

 

eldarb wen pic 1

Gregor Eldarb

Several Models Put Together

 

With contributions by: František Kowolowski & Georg Schollhammer (ed. springerin)

 

ISBN 978-84-9943401-9-2 (Triton Barcelona)  ISBN 3-85486-228-8 (Triton Viena)

Barcelona [etc.] : Triton, 2014

 

The book presentation took place at:

The Frederick Kiesler Foundation Vienna, March 21, 2015 / Matinée at 11 am

Speech: Director Peter Bogner

Structural models based on urbanistic ideas, architectures and theories make up an essential part of the work of Gregor Eldarb. He develops hypothetical spaces and forms referencing the constructivist models of the early twentieth century’s classical avant-gardes. His work can be thought of as an on-going conversation with the ideas underlying both real and utopian concepts of the cityscape. Through drawings, objects and videos he explores his surroundings, ranging from his own apartment to various cities, countries and landscapes, all of which find their respective counterparts in his models. /.../

American scientist and fluxus-artist Bern Porter and his fellow American, poet-painter Kenneth Patchen, are two further major reference points in Eldarb’s stimulating dialogue with certain affiliations within the historical avant-gardes. /.../

Gregor Eldarb’s more recent work testifies to an increased interest in the print media. In it, he refers to a system of forms, modes of presentation and concepts, enabling the viewer to draw comparisons and redefine the meanings underlying art, space and mind /.../

František Kowolowski

Custom edition: € 28,00 + shipping.

Artist Edition: infos on n° + sales available upon request.

 

 

Dion Neutra

Julius Shulman (Photography)

The Neutras Then & Later
A history of the architectural firm as seen through the aging of its sites - vol. I

With autobiographical reflections and photographies, published in partnership with:

University of Applied Arts Vienna

 

ISBN 978-84-938482-7-9 (Triton Barcelona)   ISBN 3-85486-217-2 (Triton Viena)

Barcelona / Los Angeles [etc.] : Triton, 2012.

© Photography Julius Shulman / Getty Foundation / Triton 2012

Reviews:     Archinect News   |   The Toronto Star   |

Lectures were given by Dion Neutra on the subject of his new coffee table book - with previously unpublished material to rise public awareness about architectural heritage - at the following design museums / venues:

DX – Canada’s Design Museum  /  AIA NC Center for Architecture and Design  /  The Bechtler Museum of Modern Art  /  Clemson University College of Architecture  /  The Museum of Design Atlanta

Custom edition (paperback): € 30,00 + shipping
Custom edition (hardcover): € 35,00 + shipping

 

 

 

 

ΤοπολογÎ (Topología)

 

With contributions on music & visual arts, mathematics and space evoking themes of Anestis Logothetis at:

The Onassis Cultural Center, Athens in collaboration with the Music Department, University of Athens, the Institute for Research on Music & Acoustics (IEMA)and with the Successio Miro

 

Barcelona / Athens [etc.] : Triton

 

Stoyanovs Tomato

Kamen Stoyanov

Stoyanov's Tomato Products

A project developed at the MAK Center for Art & Architecture, Los Angeles.

Published in partnership with: University of Applied Arts, Vienna & MAK Center, Los Angeles

 

ISBN 978-84-938482-9-3 (Triton Barcelona)   ISBN 3-85486-218-0 (Triton Viena)

Barcelona / Los Angeles [etc.] : Triton, 2013

 

"..... I was interested in the idea of working on something which takes time and where I cannot control the speed of how it is proceeding. It was the idea to handle a banal work in a different way. Besides that I adore the tomatoes in all their different kinds, especially the Bulgarian ones. You know what I am talking about ....."
Kamen Stoyanov

Soup stopped being “just soup” in 1962, when Andy Warhol showcased for the first time his “portraits” of the Campbell’s tomato soup in the Ferus Gallery in Los Angeles. today even in the grocer’s around the corner, the legendary little box is much more Warhol’s than Campbell’s, as it holds,  a preserved state, a real revolution in our interaction with art. Exactly 50 years later Kamen Stoyanov planted, in the yard of Schindler House in Los Angeles, the tomato seeds he had brought from Bulgaria /..../

Kamen Stoyanov

Reviews:     Eikon   | 

 

Custom edition with CD:  € 20,00 + shipping.

Artist Edition:  price + n° available upon request.

 

 

Laura Virginia Ulloa Quiroga

Invisible Forces / Invisible Cities

 

A project developed at:

Tongji University Shanghai
College of Architecture and Urban Planning / CAUP; and the Technical University Vienna

Shanghai, the metropolis of Eastern Asia is subject of this publication. It aims to enhance identity within Shanghai, regarding its increasing spatial and social segregation, by means of the revival of rituals, and by proposing two dynamic evolving cultural infrastructures, which are adaptable in the ever-changing society of this expanding metropolis. These structures are visible outcomes of invisible forces, which have been used as parameters for their development, and subsequent evolution.
Invisible Forces I Invisible Cities is to establish the importance and variety of rituals in human society, both generally, and within China, as well as their relationship with cultural landscapes, places of tribute, of social memory and private recollection, which reaffirm the relations between the invisible spiritual and the visible material worlds.

Barcelona / Shanghai [etc.] : Triton

 

 

TIME NO TIME by Parallel Media

Experimental video - limited artists edition

 

Video-Installation première at Tiroler Landesmuseum Ferdinandeum, Studiogalerie, Innsbruck.

 

ISBN 978-84-938482-6-2 (Triton Barcelona)   ISBN 3-85486-214-8  (Triton Viena)

Barcelona, Viena [etc.] : Triton, 2011.

 

TIME NO TIME polarizes moving pictures in terms of speed, time and experience through parallelism and circulation. The enstatics versus the exstatics of movement and their experience of time becomes the theme. The event horizon is defined by the use of both – the “X tense imaging”, and the “video feedback” technologies. Thus the time of the experience and the experience of time face each other.

 

Custom edition:  Sold out

Artist Edition: infos on n° and sales available upon request.

 

 

Réminiscences Beyrouthines

Multi-Media-Installation. Première presented at exhibition :

Beirut - Kunsthalle Wien,  June 29, 2011 - August 24, 2011.

Concept by Bariaa Mourad, with photographs by Tanya Traboulsi, a text by Najla Said, and sound design by Edwin Daou.

"Alcyon & Triton"™  Productions, Beirut / Kunsthalle Wien, (Eds.), Exhibition / Installation catalogue. Barcelona, Beirut, Vienna [etc.] : Triton, 2011.

ISBN 978-84-938482-3-1 (Triton Barcelona) ISBN 3-85486-211-3 (Triton Viena)

Limited artists edition: infos available upon request.

all editions reserved / sold out

 

 

Hofstetter Kurt :  ZART una cantata moebius

Contributions by: Dieter Bogner, Werner Depauli-Schimanovich, Barbara Doser, Thomas Miessgang, Bariaa Mourad, Monika Pessler, Gerald A. Fromm, Peter Weibel.

ZART - NOW - HERE, a project also presented at the Center for Art and Media-Technology (ZKM).

 

With research funding from the:

Frederick Kiesler Foundation, Vienna and the Cultural and Science Department, of the City of Vienna.

Eds: Kiesler Foundation Vienna / two congruent zero | modulo arts & science

 

ISBN 978-84-938482-0-0 (Triton Barcelona)   ISBN 3-85486-210-5 (Triton Viena)

Barcelona / Viena [etc.] : Triton, 2010.

CD-book, 84 pages, Germ./Engl., Hardcover, 17,5 x 21,5 cm, 16 Illustrations b/w.

 

The cantata moebius ZART provokes a musical experience along the “eventhorizon of time”. In the moment of their stereo-acoustic perception the cantata enfolds its sound potential directed both towards the future as well as towards the past. After the première of the composition ZART una cantata moebius during spring 2008 at the Kiesler Foundation Vienna, the following CD-book was also presented at this venue.

Reviews:  Springerin 1/13  |  Listen at Radio ORF Ö1 Artmagazine  |  Skug : journal for music  | Collecting Artist's Books |

 

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